There is a guy, most likely poor or even homeless, that lives in the area and that I have seen a couple of times. I've seen him talk to a bunch of people, stroll around the Reeperbahn and also sit on the front steps of a door next to a Uhrenladen and hold out a paper cup asking me for change. In my mind, I started calling him The Cowboy and he immediately reminded me of a couple of other enigmatic cowboy characters that I know from other films.
1. There is the Cowboy played by Sean Bean in a film called The Big Empty. He is this mysterious guy that the protagonist needs to deliver a suitcase to and we never really get to know much about him. Cowboy is only alluded to for most of the film as 'the guy with a big, black duster and black Stetson' and his job, as it turns out, is to gather up people to be taken away by aliens at a 'jump point' outside Baker, California.
If I've gotten you interested. Here's the scene (found it on youtube) and the written version from the screenplay:
INT. ROOM 214 - NIGHT
Adam crosses the room to the phone and dials a number. The phone is answered.
ADAM
Someone's shut off my money!
CYNTHIA
I know. Where are you Adam?
ADAM
What do you mean "you know"?
CYNTHIA
Someone called me. When they couldn't
get you they told me you were as good as
broke. I didn't believe then, so I made
some calls.
ADAM
And?
CYNTHIA
You're broke!
ADAM
But I'm not broke.
CYNTHIA
I know, but you're broke. Where are you?
ADAM
Beverly Hills Hotel. I've got enough
cash in my pocket for one night.
CYNTHIA
Do you know somebody called the The
Cowboy?
ADAM
The Cowboy??
CYNTHIA
Yeah, the Cowboy. This guy, the Cowboy,
wants to see you. Jason said he thought
it would be a good idea.
ADAM
Oh, Jason thought it would be a good idea
for me to meet the Cowboy. Should I wear
my ten gallon hat and my six shooters?
CYNTHIA
Something tells me this guy is connected
with what's happening, Adam, and I think
you should do it and I think you should
do it right away.
ADAM
Cynthia...what's going on?
CYNTHIA
It's been a very strange day.
ADAM
And getting stranger. Where do I meet
this Cowboy? I mean do I have to ride
out to the range?
CYNTHIA
Sort of, funny boy. If I tell him the
meeting's on you're to go to the top of
Beachwood Canyon. There's a corral up
there where he'll be.
ADAM
You gotta be kidding?
CYNTHIA
Will you meet with him?
ADAM
Yeah, sure. It is that kind of a day.
When?
CYNTHIA
I'll call him, then call you back...If
you want you could stay at my place.
ADAM
Cynthia... that would not be a good idea.
CYNTHIA
I'm just offering a place to stay.
ADAM
I understand, Cynthia and thank you for
the offer. I'll find a place. Now go
ahead and give the Cowboy a yodel and get
back to me.
CYNTHIA
Okay, but you don't know what you're
missing.
ADAM
Git along little dowgie and call me back.
Adam hangs up and seems to sag, cupping his forehead and eyes with his hand.
EXT. BEACHWOOD CANYON - NIGHT
Adam, in his Porsche, makes his way up the canyon.
INT. PORSCHE
Adam feeling like a fool drives up the dark, winding canyon road. As he nears the top of the canyon the residential
area gives way to desert brush. The road winds steeply up to a dark dead end where an old barn and stable sit.
Adam parks in a little dirt lot and walk up past the barn to the corral. His eyes grow accustomed to the dark and
he looks about. No one is around. There's only a light wind and a few twinkling stars in the sky above. Suddenly
some bare bulbs hanging from the corral gate flare up. Adam hears a noise in the brightness and turns. There
walking toward him into the light is the Cowboy - dressed in clean blue denim jeans, well-oiled unscuffed, beautifully
engraved cowboy boots, a red embroidered ivory buttoned cowboy shirt complete with string tie. Atop the Cowboy's
head is a 10 X white Stetson. The Cowboy is smiling warmly as he approaches. He stops in front of Adam and
begins to speak with a true, slow Western drawl.
COWBOY
Howdy!
ADAM
Howdy to you.
COWBOY
Beautiful night.
ADAM
Yeah.
COWBOY
Sure want to thank ya for drivin' all the
way up to see me from that Beverly Hills
Hotel.
ADAM
No problem. What's on your mind?
COWBOY
Well now, here's a man who wants to get
right to it. Kinda anxious to get to it
are ya?
ADAM
Whatever.
COWBOY
A man's attitude ... a man's attitude goes
some ways toward how a man's life will
be. Is that somethin' you agree with?
ADAM
Sure.
COWBOY
Now... did you answer cause you thought
that's what I wanted to hear or did you
think about what I said and answer cause
you truly believe that to be right?
ADAM
I agree with what you said...truly.
COWBOY
What did I say?
ADAM
That a man's attitude determines to a
large extent how his life will be.
COWBOY
So since you agree I guess you could be a
person who does not care about the good
life.
ADAM
How's that?
COWBOY
Well, just stop for a little second and
think about it. Will ya do that for me?
ADAM
Okay, I'm thinking.
COWBOY
No. You're too busy being a smart aleck
to be thinkin'. Now I want ya to think
and quit bein' such a smart aleck. Can ya
do that for me?
ADAM
Look ... where's this going? What do you
want me to do?
COWBOY
There's sometimes a buggy. How many
drivers does a buggy have?
ADAM
One.
COWBOY
So let's just say I'm drivin' this buggy
and you fix your attitude and you can
ride along with me.
ADAM
Okay.
COWBOY
Now I know a few things. I know you have
had a rough day. You're probably thinkin'
I don't know the half of it, but in
actual fact I know every part of it. The
business of gittin' thrown off your
movie, the heartache of seeing your wife
with another man... losin' access to that
precious film vault...
Adam suddenly looks stunned, unsure.
COWBOY (cont'd)
... realizin' you don't have hardly a
nickel to your name and then add on to
that the sickenin' feeling some men are
gonna catch you and hurt you bad for
bustin' their vehicle. Some days are like
that. They are rough, but what will
tomorrow bring? Will it be better than
today? The same ... or worse?
A lot of that is up to us individually.
Up to us and our attitude. When the
Castigliane brothers said "This is no
longer your film," they meant it, but
they didn't mean you were not going to
direct it. I want you to go back to work
tomorrow. You were re-casting the lead
actress anyway ... audition many girls for
the part. When you see the girl that was
shown to you earlier today, you will say
" This is the girl." The rest of the
cast can stay- that is up to you, but
that lead girl is not up to you. Now,
you will see me one more time if you do
good. You will see me two more times if
you do bad. Good night.
The Cowboy turns and walks until he is engulfed in darkness. Through the darkness Adam hears the sound of a car
door opening and closing, then another opening and closing and then the sound of the car driving away. Adam walks
up in the direction the Cowboy took, but he sees no sign of a car nor any dust nor any road. He goes back down past
the barn and stables to his car. There standing by his Porsche is the Cowboy.
COWBOY (cont'd)
You thinkin' this'll work out, cause I
was thinkin' it just might.
ADAM
It will work out.
COWBOY
Good then, but, just in case, that bank's
gonna stay closed a bit longer. You
understand that?
ADAM
I understand.
COWBOY
You're an understandin' fella.
ADAM
So, this is the last time I see you then
unless I do bad?
COWBOY
No, this one doesn't count. It's part of
the original one. So then ... until we meet
again.
ADAM
Okay.
Adam gets in his car and drives off leaving the Cowboy smiling behind him.
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