There is a guy, most likely poor or even homeless, that lives in the area and that I have seen a couple of times. I've seen him talk to a bunch of people, stroll around the Reeperbahn and also sit on the front steps of a door next to a Uhrenladen and hold out a paper cup asking me for change. In my mind, I started calling him The Cowboy and he immediately reminded me of a couple of other enigmatic cowboy characters that I know from other films.
1. There is the Cowboy played by Sean Bean in a film called The Big Empty. He is this mysterious guy that the protagonist needs to deliver a suitcase to and we never really get to know much about him. Cowboy is only alluded to for most of the film as 'the guy with a big, black duster and black Stetson' and his job, as it turns out, is to gather up people to be taken away by aliens at a 'jump point' outside Baker, California.
If I've gotten you interested. Here's the scene (found it on youtube) and the written version from the screenplay:
INT. ROOM 214 - NIGHT Adam crosses the room to the phone and dials a number. The phone is answered. ADAM Someone's shut off my money! CYNTHIA I know. Where are you Adam? ADAM What do you mean "you know"? CYNTHIA Someone called me. When they couldn't get you they told me you were as good as broke. I didn't believe then, so I made some calls. ADAM And? CYNTHIA You're broke! ADAM But I'm not broke. CYNTHIA I know, but you're broke. Where are you? ADAM Beverly Hills Hotel. I've got enough cash in my pocket for one night. CYNTHIA Do you know somebody called the The Cowboy? ADAM The Cowboy?? CYNTHIA Yeah, the Cowboy. This guy, the Cowboy, wants to see you. Jason said he thought it would be a good idea. ADAM Oh, Jason thought it would be a good idea for me to meet the Cowboy. Should I wear my ten gallon hat and my six shooters? CYNTHIA Something tells me this guy is connected with what's happening, Adam, and I think you should do it and I think you should do it right away. ADAM Cynthia...what's going on? CYNTHIA It's been a very strange day. ADAM And getting stranger. Where do I meet this Cowboy? I mean do I have to ride out to the range? CYNTHIA Sort of, funny boy. If I tell him the meeting's on you're to go to the top of Beachwood Canyon. There's a corral up there where he'll be. ADAM You gotta be kidding? CYNTHIA Will you meet with him? ADAM Yeah, sure. It is that kind of a day. When? CYNTHIA I'll call him, then call you back...If you want you could stay at my place. ADAM Cynthia... that would not be a good idea. CYNTHIA I'm just offering a place to stay. ADAM I understand, Cynthia and thank you for the offer. I'll find a place. Now go ahead and give the Cowboy a yodel and get back to me. CYNTHIA Okay, but you don't know what you're missing. ADAM Git along little dowgie and call me back. Adam hangs up and seems to sag, cupping his forehead and eyes with his hand. EXT. BEACHWOOD CANYON - NIGHT Adam, in his Porsche, makes his way up the canyon. INT. PORSCHE Adam feeling like a fool drives up the dark, winding canyon road. As he nears the top of the canyon the residential
area gives way to desert brush. The road winds steeply up to a dark dead end where an old barn and stable sit.
Adam parks in a little dirt lot and walk up past the barn to the corral. His eyes grow accustomed to the dark and
he looks about. No one is around. There's only a light wind and a few twinkling stars in the sky above. Suddenly
some bare bulbs hanging from the corral gate flare up. Adam hears a noise in the brightness and turns. There
walking toward him into the light is the Cowboy - dressed in clean blue denim jeans, well-oiled unscuffed, beautifully
engraved cowboy boots, a red embroidered ivory buttoned cowboy shirt complete with string tie. Atop the Cowboy's
head is a 10 X white Stetson. The Cowboy is smiling warmly as he approaches. He stops in front of Adam and
begins to speak with a true, slow Western drawl. COWBOY Howdy! ADAM Howdy to you. COWBOY Beautiful night. ADAM Yeah. COWBOY Sure want to thank ya for drivin' all the way up to see me from that Beverly Hills Hotel. ADAM No problem. What's on your mind? COWBOY Well now, here's a man who wants to get right to it. Kinda anxious to get to it are ya? ADAM Whatever. COWBOY A man's attitude ... a man's attitude goes some ways toward how a man's life will be. Is that somethin' you agree with? ADAM Sure. COWBOY Now... did you answer cause you thought that's what I wanted to hear or did you think about what I said and answer cause you truly believe that to be right? ADAM I agree with what you said...truly. COWBOY What did I say? ADAM That a man's attitude determines to a large extent how his life will be. COWBOY So since you agree I guess you could be a person who does not care about the good life. ADAM How's that? COWBOY Well, just stop for a little second and think about it. Will ya do that for me? ADAM Okay, I'm thinking. COWBOY No. You're too busy being a smart aleck to be thinkin'. Now I want ya to think and quit bein' such a smart aleck. Can ya do that for me? ADAM Look ... where's this going? What do you want me to do? COWBOY There's sometimes a buggy. How many drivers does a buggy have? ADAM One. COWBOY So let's just say I'm drivin' this buggy and you fix your attitude and you can ride along with me. ADAM Okay. COWBOY Now I know a few things. I know you have had a rough day. You're probably thinkin' I don't know the half of it, but in actual fact I know every part of it. The business of gittin' thrown off your movie, the heartache of seeing your wife with another man... losin' access to that precious film vault... Adam suddenly looks stunned, unsure. COWBOY (cont'd) ... realizin' you don't have hardly a nickel to your name and then add on to that the sickenin' feeling some men are gonna catch you and hurt you bad for bustin' their vehicle. Some days are like that. They are rough, but what will tomorrow bring? Will it be better than today? The same ... or worse? A lot of that is up to us individually. Up to us and our attitude. When the Castigliane brothers said "This is no longer your film," they meant it, but they didn't mean you were not going to direct it. I want you to go back to work tomorrow. You were re-casting the lead actress anyway ... audition many girls for the part. When you see the girl that was shown to you earlier today, you will say " This is the girl." The rest of the cast can stay- that is up to you, but that lead girl is not up to you. Now, you will see me one more time if you do good. You will see me two more times if you do bad. Good night. The Cowboy turns and walks until he is engulfed in darkness. Through the darkness Adam hears the sound of a car
door opening and closing, then another opening and closing and then the sound of the car driving away. Adam walks
up in the direction the Cowboy took, but he sees no sign of a car nor any dust nor any road. He goes back down past
the barn and stables to his car. There standing by his Porsche is the Cowboy. COWBOY (cont'd) You thinkin' this'll work out, cause I was thinkin' it just might. ADAM It will work out. COWBOY Good then, but, just in case, that bank's gonna stay closed a bit longer. You understand that? ADAM I understand. COWBOY You're an understandin' fella. ADAM So, this is the last time I see you then unless I do bad? COWBOY No, this one doesn't count. It's part of the original one. So then ... until we meet again. ADAM Okay. Adam gets in his car and drives off leaving the Cowboy smiling behind him.
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